MASCH's work describes a discursive rebellion of continuous civilisation in a state of decay. His paintings arise from the overlapping of canvases becoming true membranes fringed by time and history. These superimposed membranes speak of a time of destruction and decay, of a disintegrated, lost world.

Cut, glued, clipped, these canvases form expanded layers of pastel or violent colours. It is the representation of the slightest details emphasizing hardly mentionable elements that are outside the symbolic sequence of civilisation and that disturbs social rules, trying to defy a traumatic experience.