"My work is uncompromising and does not offer solutions, but I try to make transience visible in a certain state: this state presents itself to the viewer as a pure surface, I make it the content of my work.", MASCH
A century-old painting, testified his age through his subject, not necessarily by his "old" surface. That is precisely what MASCH is doing to legitimize his work. On the basis of their surface, the works in the artistic sense have aged to a certain point in time. After completion, the "real" aging begins, but with a decisive difference: MASCH's works cannot be attributed to any particular epoch even in many years. Only dating dates from the emergence and subsequent natural aging process.
